Respecting the Historical Narrative. PART II
In a previous post I wrote about my efforts to protect the historical narrative of the 1894 Cross House.
If X feature is missing, like a bathroom sink/vanity, I will do research to learn what sink/vanities looked like in 1894, and will then go on the hunt for such an item.
All the lighting was long gone from the house when I purchased it. So, I spent the first year acquiring early electric lighting. Then I learned that the house originally had gas/electric combination lighting. Oh. So, I sold off all the electric lighting (which was all later than the house, and not combination fixtures), and spent the second year acquiring gas/electric combination lighting. The house has been enhanced by this lighting which “fits” the house perfectly.
And so on.
Sadly though very few people work to protect what their house is.
Today, I found a small example of this, and this post will begin a regular series.
To me, paying attention to the historical narrative — what a house is — is kinda like buying a house with an instruction manual. HERE is what to do and HERE is what not to do.
The dining room of this house is currently…yawn. But imagine it with 1940s colors on the walls, a 1940s dining room set, a glittering 1940s chandelier, and delicious 1940s draperies. The room would come alive and everybody who walked in it would exclaim: I LOVE THIS ROOM!!!!!!!!
Then imagine ALL the rooms in the house done as such.
But successive owners of this home, like countless homeowners across the country, paid no attention to the language their house was speaking, and these owners came in and imposed new languages. In the process cool bits were thrown away and over time a unique language specific to a period and aesthetic was muffled or destroyed.
These millions of homeowners are not bad. It just never occurred to them that their house was communicating with them because the many TV shows about old house and glossy magazines NEVER address protecting and enhancing the historical narrative of a house. Indeed, they do rather the opposite.
NOTE
In my own 1894 house I have already installed a 1960s Hollywood Regency-styled crystal chandelier in my bedroom, and will be installing 1970s Hollywood-Regency-styled lights in the library. In the parlor will be a marble-topped Tulip Table designed by Eero Saarinen in 1957.
None of these items would have been in the house in 1894. But I am making a conscious decision to have the interior decor reflect 123-years of history.
Consciousness. To me, this is the operative word. I am all for a homeowner doing whatever the hell they want with their home. Go for it, baby! But, I would love it if homeowners were conscious of what they owned. When was the house built? Each era has a specific aesthetic and today it is effortless to search via Google.
The house in this post would, in my opinion, look so vastly better if its 1940s charm was enhanced. This does not mean that every item and every choice be rigorously 1940s. Hey, I would not give up my huge flat panel TV! I am not living without a dishwasher!
The point is that I doubt that the successive owners of this home ever thought about respecting the era when the house was built. Had they, I suspect the results would be very different today and what is now kinda a YAWN house could so easily be a WOW house.
7 Comments
Leave a Comment
Your email address will NEVER be made public or shared, and you may use a screen name if you wish.
How would you (or someone without your expertise) figure out what time-period-appropriate features look like? I’ve found it hard to find relevant stuff in library collections and I don’t know enough to evaluate whether Google search results are trustworthy.
Good question.
Yes, it helps that I have been collecting vintage design and architecture magazines for decades, and have forty years experience in interior design.
I would say to repeatedly Google the decade your house was built. Look at the Google IMAGES for like six months. Go on eBay and bid on decorating magazines from the decade; they are often quite cheap. I suspect that very soon you will be surprised how you develop an eye. You will suddenly start seeing all kinds of details and lighting and furnishings which you never noticed previously but which are all period-specific to your home.
Amen. Seek and ye shall find. ! !
Knotty pine, with those wonderfully scalloped details… the wood mellowed to “THAT” color… you know THE color I mean? YUMMY! Have you ever been in one of those rooms, and you feel your soul relax, and know that you are HOME. Yup… YUMMY!
Yes, THAT color! Yummy, indeed!
Another great post, Ross. Although my first love in architecture is Queen Anne, Eastlake, and some early Craftsman, I will always seek to work within the style, period, and theme of whatever home I own. If it was good architecture when built, it will ALWAYS look better if it remains consistent. Slapping random styles into a building with no thought of the overall composition doesn’t just interrupt the historical narrative, but typically clashes and just looks bad. If you have an eye and appreciation for architecture and decorating style, it’s even more grating.
I feel that the consumerist “buy and take home today” attitudes are bringing respect, appreciation, and even recognition of attractive architecture steadily downhill. People see windows, doors, vanities, etc as just another interchangeable feature they can buy and “upgrade”, not part of a greater whole.
I really hope this HGTV fad burns out quickly.
Thank you for this! I bought a 1947 house a few years ago and as only the third owner, everything is original. I love it! But it is at an age where it now needs love. I am wanting to restore the original windows but everyone I know is telling me that’s crazy and to install new windows. I needed to read this and be reminded that I don’t want to destroy the character that I fell in love with in the first place.